The Secret Agent Remembers the Absent Memory
The film reminds us to remember the people who had the courage and dignity that had made the world better, even when the memory was absent.

Four friends road-trip across Punjab to help one of them get over an ex-girlfriend, but are quickly caught in a fiasco like no other.
The film reminds us to remember the people who had the courage and dignity that had made the world better, even when the memory was absent.
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
A story about precarious tricks and unstoppable discipline to inspire young viewers. They'll learn that like any dream, achieving Cloud 9 is possible.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.