Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Wild Waters poster

Wild Waters 

Thomas, son of sawmill owner Mautner, is more interested in music and women than in his father's business. His latest acquaintance is the young Andrea Sternberg, whom he rescues from a torrent and whose father wants to build a hotel on the Mautners' property. After an argument with his father, Thomas goes to Bad Gastein, where he lives a lavish life with Andrea and her friends. His father lends him money to finance this, hoping to gain access to Thomas's property. Cornered by Sternberg, Thomas is forced to return to his father and confess.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Thomas, son of sawmill owner Mautner, is more interested in music and women than in his father's business. His latest acquaintance is the young Andrea Sternberg, whom he rescues from a torrent and whose father wants to build a hotel on the Mautners' property. After an argument with his father, Thomas goes to Bad Gastein, where he lives a lavish life with Andrea and her friends. His father lends him money to finance this, hoping to gain access to Thomas's property. Cornered by Sternberg, Thomas is forced to return to his father and confess.

Rating:
Genre:Drama
Directed By:Rudolf Schündler
Written By:Hans Billian, Maria von der Osten-Sacken, Wolf Neumeister
In Theaters:
Box Office:

Runtime:

Studio:Astra Filmkunst

Articles You May Like


Review: The Roses – Marriage and the Sweet Taste of Revenge

The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.

Nilufer Ozmekik