
A restless instructional film, teaching his audience about impromptu sound synchronization, the use of cutaway shots and the total destruction of the clapper board.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.