Incluvie Film Fest 3rd Place Winner: ‘Warmth’ Review
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.

There is a phantom lurking in the forest. It is almost impossible to spot him, but his traces give him away. His footsteps in the snow tell us that he was heading towards the valley. The hole with the dry leaves was his ambush during the day. And the leftover of the prey shows what he was hunting for. As we follow his traces, we get to know the forest where he lives. We walk through river valleys, canyons, sunny crags and misty hills – this is the Northern Low Mountain Range, a transition zone between the Carpathians and the Great Plain, on the border of Hungary and Slovakia.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
KPop Demon Hunters took social media by storm recently—is it truly as good as people have hyped it up to be?
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.