Not Much More than Magic in 'Maestro'
In 'Maestro,' we're left with an impression but not with an understanding of the main character.

It’s 1940, and the population of Japan is divided over its entry into World War II. Satoko, the wife of a fabric merchant, is devoted to her husband but is beginning to suspect he’s up to something. Soon she allows herself to be drawn into a game in which she enigmatically conceals her intentions.
In 'Maestro,' we're left with an impression but not with an understanding of the main character.
This action thriller is made with the hope that the black youth of America will feel empowered, and realize the significance of their heritage.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.
The second film takes us on Peter's journey to be understood.
The most impressive aspect of this film is the honest and natural performances given by the on-screen duo.
'Zombieland: Double Tap' was entertaining and fun at times, but not very evolved. It had poorly developed female characters and stereotypical characters of color.