'Men' Disappoints with a Flat Examination of Misogyny
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.

Hot wicks and hard dicks, that's what these boys have to endure while at the mercy of their devilish doms. With restraints to keep them in place and under control their naked bodies are explored, their dripping cocks pleasured, their mouths filled with warm and wet man meat or their butt holes stuffed with solid boners. The captives may burst out in tears when the molten wax meets their flesh, but their moans of pleasure will only ever encourage their owner's lust. They can't escape the agony, there will be no relief until their master's burning desires are fully satisfied!
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.
Two Distant Strangers (2020) centers around Carter James (Joey Bada$$) as he tries to get back home to his pitbull, Jeter, after spending a night at the apartment of his date Perri (Zaria Simone). What gets in the way of Carter reuniting with his dog is that every time he tries to leave Perri’s apartment, he is killed by police and wakes up back in her bed in a never-ending cycle. It addresses the issue of police brutality which rightly has been in the public eye more and more with the unjust deaths caused at the hands of law enforcement.
A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.