Ryan Coogler's Sinners Turns Horror into History
Set against the backdrop of the Jim Crow era, the film offers layered representation.

Filmmaker Erec Brehmer's world collapses when his longtime partner Angelina Zeidler dies in a car accident. Using personal videos, photos, voice messages, diary entries and music they shared, he creates ways of meeting and loving her again despite her absence. "We don't talk about the dead, even though that's the only thing we can still do" once someone is gone. And so, Who We Will Have Been is less a documentary and more a mode of communication with the deceased, where slow motion, reverse and soundbites taken in a totally different context suddenly give profound meaning and subtext. When Angi asks in a saved video "Am I still in time?" it resonates with deep, universal, spooky-action-at-a-distance significance. Do we still exist in time without a body and out of mind? Brehmer's powerfully emotional and absorbing meditation on living with loss recognizes that grief changes, but never really ends, like love.
Set against the backdrop of the Jim Crow era, the film offers layered representation.
One Night in Miami... did not frame the racism and bigotry as something that could be solved by quality time spent between individuals. Instead, it featured four different legends of Black History together in one room disagreeing for about 2/3 of the film.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
Frozen II is not quite direct to DVD Disney sequel level, but if it wasn’t for the spellbinding animation and budget, it certainly would be.
Apparently, nothing's ever enough. It has its flaws, but does that warrant the amount of criticism 'Barbie' is subject to?
Directed by George Miller, Thunderdome continues to follow the titular character through post-apocalyptic Australia.