Trans Allegories in Film: 'Nimona' (2023)
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my reading will reveal, 'Nimona' could be interpreted as a transgender story.

Sofia died young. But her death wasn't sudden and accidental. It was the result of gradual poisoning caused by a food system that hides poison in food, normalizing ultra-processed foods, sugar, and industry interests over health. Dr. Carlos Jaramillo, a functional medicine physician and popular science communicator with over 10 million followers, guides us through this profound and moving investigation to answer the key question: Who killed Sofia? In the process, he exposes how thousands of lives are at risk today, victims of a food, health, and economic model that prioritizes profit over life.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my reading will reveal, 'Nimona' could be interpreted as a transgender story.
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.
A homeless girl faces depression and uncertainty during the holidays.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Ralph and Vanellope unpack lots of surprises for those who love going on the Internet.
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.