"Space Sweepers": A Charming Sci-Fi Adventure with a Political Message
Behind all the action, 'Space Sweepers' is a surprisingly heartfelt and progressive story about building community.

A strikingly beautiful and wealthy woman is hit by a truck and is all smashed up and nearly killed. At nearly the same time, a very plain looking lower middle class woman simply faints and suffers brain death. The beautiful womans brain is fine, so, doctors merely transplant her brain into plain Jane. Problems ensue when plain Janes husband continues to believe she is still his wife. She has no memory of him, and goes to live with the beautiful womans husband. She doesn't mix well with her new socialite friends and family. Mirrors are emotional battlefields as well.
Behind all the action, 'Space Sweepers' is a surprisingly heartfelt and progressive story about building community.
The power of a talented female director like Patty Jenkins and an overall diverse cast is what makes this film worth watching for me.
Miles Morales learns to be his own hero as he takes on the well loved mantle of Spider-Man in a multiverse of Spider-People.
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.
Celebrate Pride with these movies and TV shows available on popular streaming services. (Good news: a lot of them are available for free.)
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.