The son of businessman Vahram Stepanyan, Mark, runs over a man while intoxicated, an incident that becomes life-changing for all the film’s characters. To help his son avoid punishment, Vahram has Mark admitted to a psychiatric hospital, where he meets Sally, a young woman who has been living there for a long time, and falls in love with her. Determined to get Sally out of the hospital, Mark orchestrates their escape. The two set out to find Sally’s mother, but the journey proves difficult and is filled with challenging trials.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
The tale of two friends spans three films and gives wonderful representation for young girls everywhere.
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.
The 2020 remake of 'The Invisible Man' explores the hidden nature of domestic violence with a classic sci-fi character.
Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.
