A Closer Inspection of LGBT Characters in Film
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.

Something like a jumbled, back-to-front version of Tai Chi Master and Fong Sai Yuk. Shifting focus on at least ten major characters makes whatever story there is hard to follow. But there's brother against brother, conflicts of loyalty, even disappointment in love. San (always good guy) is disappointed in his brother Kuang's (weak character) decision to join the Cult, and how the power has corrupted him. Chin Chen (good guy) resists his brother Chan's efforts to obtain the Classics. Chan tortures Chin by mistaking him for a pincushion then, with the help of his cranky but skilled old flame Hung and his daughter Tien, Chin trains San in the Classics, to fight Chan.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
This little Netflix film was very inspirational. It passes the Bechdel test, and features a different worldview with rural Indian representation.
A boy named Max experiences adventure within his own house while staying home alone.
Did you know that Disney heroes and villains have kids? Check out the Descendants series.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.