Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
White Flowers and Fruits poster

White Flowers and Fruits 

Set in an all-girls Christian boarding school, Anna always feels like an outsider due to her ability to see ghosts. Her roommate, Rika, is the complete opposite: an effortlessly popular, well-liked honors student admired by everyone. But when Rika takes her own life, the entire school is shaken, none more so than her closest friend, Shiori, who struggles to make sense of the loss. After discovering Rika’s diary, Anna begins to feel her spirit manifest before her, slowly seeping into her body…
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Set in an all-girls Christian boarding school, Anna always feels like an outsider due to her ability to see ghosts. Her roommate, Rika, is the complete opposite: an effortlessly popular, well-liked honors student admired by everyone. But when Rika takes her own life, the entire school is shaken, none more so than her closest friend, Shiori, who struggles to make sense of the loss. After discovering Rika’s diary, Anna begins to feel her spirit manifest before her, slowly seeping into her body…

Rating:
Genre:Drama
Directed By:Yukari Sakamoto
Written By:Yukari Sakamoto, Sachiko Tanaka, Takamasa Oe
In Theaters:
Box Office:

Runtime:110 minutes
Studio:Chiaroscuro, Bitters End

Articles You May Like


Review: The Roses – Marriage and the Sweet Taste of Revenge

The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.

Nilufer Ozmekik