“Subject to IX” Movie Review: Discussing the Hard Truth About How Colleges Handle Title IX Cases.
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.

Set in an all-girls Christian boarding school, Anna always feels like an outsider due to her ability to see ghosts. Her roommate, Rika, is the complete opposite: an effortlessly popular, well-liked honors student admired by everyone. But when Rika takes her own life, the entire school is shaken, none more so than her closest friend, Shiori, who struggles to make sense of the loss. After discovering Rika’s diary, Anna begins to feel her spirit manifest before her, slowly seeping into her body…
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.
The cultural insensitivity of 'Slumberland' is discreet, and can be easily overlooked in CGI extravaganza.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
Emma Stone (Estella and Cruella) and Emma Thompson (the Baroness) did not come to play around in Cruella. They embodied the perfect balance of sinister and sincere. Estella went through a great hero's journey, and what a journey it was!
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.