'How Power Looks' — MiamisFF Review
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.

Zane Grey bets he can catch a fish bigger than one he sees at Watsons Bay. He hears about a large shark, nicknamed "white death", terrorising the Queensland coast and goes to catch it. He is thwarted by the comic attempts of Newton Smith, a representative of the Wallanga Branch of Fish Protectors, to persuade Grey not to harm fish. There is also a romance between two young people. Eventually Grey manages to catch the shark.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
Hulu's 'Crush' leaves you giddy, light, hopeful, and, yes, all crushed out on the possibility of what? You got it, your next crush.
Apparently, nothing's ever enough. It has its flaws, but does that warrant the amount of criticism 'Barbie' is subject to?
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
Dead Poets Society brilliantly combines defeat and optimism, rejection and love, craziness and daring, fear and freedom.