Gods of Mexico, an Artistic Triumph that Eschews Narrative
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.

Nurse Tatyana lives in a quiet provincial town. Everything seems to be going well with her: there is a good job at the hospital and friends who are ready to support at any moment. And then a healthy young woman suddenly falls ill. Doctors make her a disappointing diagnosis - diabetes. Tanya needs to undergo expensive treatment in Moscow. It was in this difficult period for her that the heroine meets a man who is ready to help. He loves her and wants to make her happy. Tatiana begins to believe that the wedding is just around the corner, and her recovery is just a matter of time. But such a successful development of events does not suit Tatyana's best friend, and he begins to plot. Will he succeed in destroying the heroine’s just-settled life and again returning her to the abyss of hopelessness and disbelief in herself?
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
While Peter’s heroics might have been a bit unrealistic at times due to his lack of experience, I will always support the civilian taking down the establishment.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.