Love, Regret, and Art: Pandemic Lessons from Station Eleven and The Real World
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.

This anthology film explores three sudden acts of violence and examines the impact on the innocent bystanders caught in the crossfire: In Binghamton, New York, an ESL instructor faces domestic violence at home and even greater peril at school. Friends take a night out in Paris only to find themselves caught up in a horrifying situation. And two lovers at the Pulse nightclub in Orlando fight to survive a chaotic night of terror.
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
What starts off as a success story for a single mother living below the poverty line, slowly begins to weave itself into a tangled web of greed, guilt, and destruction.
Spoiler Warning
As one of the women said in the film, friendship in your teens is “as important as any lover” and it’s clear they lived that philosophy throughout their early adult lives as well.
KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.