When We Were Kings (1997)

We're in the midst of July, the month in which Americans are supposed to be at their most patriotic! With barbecues, beach trips, and fireworks galore, this is the month where we celebrate our country. For Incluvie, that primarily means diving into the wonderful "melting pot" of the diversity of American film! In between celebrating and feasting, it's important to remember the very basis this country is founded on: "liberty and justice for all."

Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.

Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.

In an all-black community in Louisiana, a young girl learns her father has committed infidelity and turns to hoodoo to seek justice.

A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.

Taika Waititi writes, directs and co-stars in 'Boy', set in 1984 New Zealand. The film does just what Waititi dreamed of — it gave a great coming-of-age story to Māori people without making a story of the Māori people as an exotic other.