“Disclosure Day” and Anthropocentrism
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.

Ludmila, Larissa, and Luísa are inseparable best friends with unique and conflicting personalities in college. At a party, Ludmila kisses Luísa's boyfriend and manipulates Larissa to hide her secret. Without anyone finding out, Ludmila goes on with her life acting as if nothing happened, but she will need to face the consequences of her choices when an unknown threat invades her home to reveal and judge her lies.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
The repeated actions, the blood on the petals, the rustling under the floor…An ambient short horror film takes us into another realm.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
As a huge fan of Sean Baker’s Tangerine, The Florida Project, and Red Rocket, I’ve wanted to watch Anora since before it even was released. But life got in the way, my watchlist grew, and honestly, the fact that it was marketed as a romantic comedy put me off. Even with all the critical praise and the five Academy Awards it won last year, I just kept postponing it indefinitely.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
An enchanted school for young heroes and villains brings the battle between good and evil in this fantasy movie.