Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
When the Mountaineers Make Their Cinema poster

When the Mountaineers Make Their Cinema 

Many mountaineers as part of their activity have used cameras and films to allow us to participate through images in their adventures and their emotions. Many of them have become true film professionals: Joseph Vallot, Lionel Terray, Marcel Ichac, Renè Vernadet, Jean Afanasieff, Pierre Royer, Denis Ducroz, Kurt Diemberg and many others are among the conquerors of the image of the mountain. The film depicts the passion of these men on the highest mountains in the world... behind the lens.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Many mountaineers as part of their activity have used cameras and films to allow us to participate through images in their adventures and their emotions. Many of them have become true film professionals: Joseph Vallot, Lionel Terray, Marcel Ichac, Renè Vernadet, Jean Afanasieff, Pierre Royer, Denis Ducroz, Kurt Diemberg and many others are among the conquerors of the image of the mountain. The film depicts the passion of these men on the highest mountains in the world... behind the lens.

Rating:
Genre:Documentary
Directed By:Claude Francillon
Written By:Claude Francillon
In Theaters:
Box Office:

Runtime:47 minutes
Studio:Migoo Production

Articles You May Like


"She’s Gotta Have It” was Ahead of the Curve in Portrayal of Female Sexuality

In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.

Andrea Amoroso