It: Chapter Two Review: An Ambitious, Worthwhile Sequel
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.

At the end of the busy year of 1997, we ended up filming a documentary produced by Jorge Timm. Jorjão's restaurant was very close to the Uruguay River, on Ilha Redonda, and there was a river flood, which rose about eleven meters above the normal level - two meters less than the record high of 1983 - and displaced many people. Claudio Baiestorf, Carli and I went there to record the damage, interview homeless people and invent delusions. We arrived at the place and realized that Jorge had greatly exaggerated, via telephone, the size of the flood damage. There were not even homeless people. Thanks to warnings from the civil defense, all residents had taken precautions. We opened a whiskey and started filming anyway.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
A 2022 remake of the previous films of the same name, but with a more diverse cast, increasing representation and diversity.
Movies also have the ability to make the audience think deeper about an issue that plagues society. "Blindspotting" does that without shying away from the intense reality of police brutality and racial discrimination.
This film’s ambition is betrayed by its lack of substance.
A deer caught in the headlights is the perfect metaphor for Animals.
The actions that Verity confesses to are tragic. But the way to prevent those actions isn’t to force the related emotions into the shadows.