Charles Fouquet, the Minister of Family Affairs, is having a hard time. His wife Olympe, although not that young, is expecting a baby. His daughter Annie, as for her, is pregnant by her fiance. And let's not forget Georges, Fouquet's son, who has seduced Natacha, his close (too close!) collaborator. As if that were not enough, a former mistress of Charles' comes and reveals to him the existence of a son he knew nothing about. But Charles is a man of action and he is not so easily deterred: he WILL take action against this abundance of offspring.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
A dog who needs to learn new tricks in this family comedy.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.
Based on the novel by Jennifer Mathieu and directed by Amy Poehler takes on intersectional feminism.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
