Following a rift with his wealthy father, Billy Mathewson, a young Broadway wastrel, escapes with his friend, Dizzy Durby, to the small town of Salino, where his father's company is building a dam. However, a crooked foreman is engaged in making himself rich at the expense of his employer and the villagers. However, Billy defeats the villain, and also wins Elinor, the daughter of a prominent local resident.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
Magnolia focuses on how one’s childhood and trauma relate to their confidence and self.
Like many things, like animals and people, they always evolve. When the first humans walked the Earth, they originated from Africa and were all black.
Not every silence is empty. Some are filled with things too heavy for words.
