
In this Chinese and Korean horror collaboration, ghosts and fairies from different horror legends come together to deliver the scariest horror experience.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
That feeling in your gut which tells you that there’s something out there you should look for and make your own, is what the power represents
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
This 2024 musical film is based on the Broadway show and the 2004 film of the same name with major differences.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.