Cheaper By the Dozen: a 2022 Family-Comedy Remake
A 2022 remake of the previous films of the same name, but with a more diverse cast, increasing representation and diversity.

In 1981, Yuki [Noriko] Sekiguchi went to Australia to study International Relations. She spoke little English, but quickly befriended Joyce and Jack Hegarty, who became her 'second parents'. While close, Noriko sensed in Jack a buried resentment towards her, perhaps due to his experience fighting Japanese in World War II. Jack died in 1988 with this issue unresolved. Now retired and widowed, Mrs Hegarty lives alone in a Sydney western suburb. She is a devout Catholic and bowls at Ashfield Lawn Bowling Club. Mrs Hegarty expressed a desire to visit Japan and Yuki saw this as an opportunity to right some wrongs. In appreciation of Mrs Hegarty's hospitality, the natural parents of her 'adopted Japanese daughter' agreed to host Mrs Hegarty in their Yokohama home for three weeks.
A 2022 remake of the previous films of the same name, but with a more diverse cast, increasing representation and diversity.
WandaVision is already proving to be a huge success.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
So do I recommend that people see this movie, yes 100%, but do I think they are going to come out of it with 80 hot takes, yes 100%.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.