Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
When Banana Ruled poster

When Banana Ruled 

The abusive harvest of a simple fruit built an empire: the United Fruit Company. A fruit that conquered the markets of the world, but devastated Central America. The amazing story of the banana: pioneers of globalized capitalism, dictators of banana republics, revolutionaries, the inventor of modern advertising, tons of bananas, bloody shades of yellow. The story of a ruthless enterprise, without borders or rules to respect, except the cruel law of supply and demand…
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


The abusive harvest of a simple fruit built an empire: the United Fruit Company. A fruit that conquered the markets of the world, but devastated Central America. The amazing story of the banana: pioneers of globalized capitalism, dictators of banana republics, revolutionaries, the inventor of modern advertising, tons of bananas, bloody shades of yellow. The story of a ruthless enterprise, without borders or rules to respect, except the cruel law of supply and demand…

Rating:
Genre:Documentary, History, TV Movie
Directed By:Mathilde Damoisel
Written By:Mathilde Damoisel
In Theaters:
Box Office:

Runtime:54 minutes
Studio:Quark Productions, ARTE

Articles You May Like


Amazon Prime's Pretty Lethal: Makes No Sense, Is No Fun

I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before. 

Jo Moses