'Life & Beth' and 'Sort Of' - Two New Series Bravely Lose The Labels
J Brooke, Incluvie Guest Columnist on 'Life and Beth' and 'Sort of': while living one’s truth is freedom, speaking it as a mandatory assignment can become captivity.

2010 on the Canterbury Plains and all is well. Lambs, blue skies and daffodils. In Cathedral Square choir boys sing to their God. Punts push new season's tourists along the Avon. They photograph the 'Garden city'; the 'most English city outside of England'. We get hit with a 7.1 earthquake. We stand up, wave our fists at the heavens and compliment ourselves on our ability to recover. And then we get hit even harder. Now the city has fallen. Many are dead. Many injured. Many narrowly escape. A fragile people reappear in the following days. We have learnt from the first earthquake and once again a response is growing. Once again adrenaline is taking over. Now the whole country is rallying for Christchurch. It's the energy of the people that's unprecedented. Communities are rising from the sand. People are holding tight to each other. A year later and the quakes keep rolling. Now the Canterbury earthquakes are the most ever quakes recorded in a series. And we're still counting....
J Brooke, Incluvie Guest Columnist on 'Life and Beth' and 'Sort of': while living one’s truth is freedom, speaking it as a mandatory assignment can become captivity.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?
"Thunder Road" presents the grief that comes from a family member taking their own life.
On their new show, The Kardashians, the famous family continues to use their personal lives as advertisements for thier billion-dollar businesses.
'Don't Lose Your Head' follows the motto of "grades aren't everything."
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.