The Ocean Comes Alive In "The Last House"
The Delgado family becomes trapped in their house by an unknown force and it takes them years to realize what has happened.

During the late 60s and early 70s, and decades before Nirvana, Microsoft and Starbucks put Seattle on the map, Seattle's African American neighborhood known as the Central District was buzzing. The soul sounds filled local airwaves and packed clubs seven nights a week. As many of the bands began breaking out nationally via major record deals, television appearances, and gigs with the likes of Curtis Mayfield and Stevie Wonder, the public demanded disco and the scene slipped into obscurity. Narrated by Seattle's own Sir Mix-A-Lot.
The Delgado family becomes trapped in their house by an unknown force and it takes them years to realize what has happened.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
This Transgender Day of Remembrance, let us take a look at six films about transgender children grappling with their identity in a heteronormative world that despises their kind and tries its best to invalidate their feelings.