'Don't Make Me Go' — A Basic Story With The Year's Most Heartbreaking Ending
'Don't Make Me Go' is what you would expect, Wally and her father, Max, clash tremendously and don't understand each other. Although, it's very heartwarming.

A documentary-dance film which explores the legacy of Soviet architecture in Kharkiv, Ukraine. The film was shot in September 2021, at a time when the prospect of a full-scale invasion from Russia seemed remote, but the ghost of its former rule remained written in concrete across the cityscape. The film platforms a divisive and open conversation about the city’s Soviet buildings: What should be done with them? Should they be preserved, destroyed, repurposed? What power do they hold over the way people think and interact with their environment?
'Don't Make Me Go' is what you would expect, Wally and her father, Max, clash tremendously and don't understand each other. Although, it's very heartwarming.
'Yuri!!! on Ice' turned queerbaiting on its head and gave me hope when I needed it the most.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.
Miles Morales learns to be his own hero as he takes on the well loved mantle of Spider-Man in a multiverse of Spider-People.