A devastating plague has wiped out most of the world's population, plunging society into chaos and leaving survivors driven by vengeance. In this brutal new reality, one grieving father sets out on a relentless quest to track down the man responsible for his daughter's murder. How far will he go to seek justice in a world where revenge is the only law that remains?
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
Films about casinos have long been a favorite of Hollywood. This is unsurprising, as they're often tied to magnetic characters whose lives revolve around luxury, spectacle, and even danger.
Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
The one-way journey went to the desert that refused to offer an answer or a transcendence.
What happens to an inseparable bond when love for competing morphs into competing for love?
