Estranged fraternal twins Allen and Allie Foster are reunited by their mother's death, and return to their strange hometown of Obelisk Bay to attend to her lingering matters. Allen, struggling to resolve his latest novel, is enticed by Allie to take a powerful psychotropic drug she calls "the lotus." As if a muse were speaking through him, Allen begins recounting the winding story of a young woman's travels decades earlier. Her life in some ways parallels their own, as she journeys into the desert in search of a statue her own deceased mother left her with an old photograph of. The two lives begin to cross over in unexpected ways, and it becomes apparent that a dark secret at the heart of their old home has far broader ramifications than they could have possibly imagined.
In a film where a Black couple is framed to be the lead characters, they still managed to get shuffled off to the sidelines. The enthusiastic cast delivers well on goofy bits- but can only go so far before they begin to fall flat.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?
The sequel to the 2010 live-action movie focuses on sibling rivalry.
A movie that brings Indian culture with classic Bollywood themes and electronic dance music.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
