A musical comedy set in the fast-paced, fast-food world of competing falafel stands in the West Bank... David, an Israeli soldier, falls in love with the beautiful Palestinian cashier, Fatima, despite the animosity between their families' dueling restaurants. Can the couple's love withstand a 2000-year-old conflict and their families' desire to control the future of the chickpea in the Middle East?
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
"Clifford the Big Red Dog" retells the adventures of Emily and her striking puppy to highlight the joy of being different and inspire another wave of young fans.
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
After the 2018 surprising hit "A Quiet Place" brought something fresh to the horror genre, the announcement of a sequel may have been disappointing to some. A lot of the time, a sequel to an already successful movie is no where near as good as the original. Yet, John Krasinski once again shows that he's much more than Jim from The Office.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
