‘Little Boxes’ Had Good Intentions, But...
In 'Little Boxes," an interracial family moves to an all-white town where they face the judgement of others who have never been exposed to people of color before.

The widower Danyal worries about his adult daughter Jila, even though the doctor has long been on her own feet. When the man in his mid-fifties can't reach her by phone, he rushes from Kitzingen in Franconia to Berlin with two friends. The career lawyer Markus and the entertainer Tobi, also loving fathers with adult daughters in the capital, would like to combine the friendship service with the opportunity to visit their offspring. However, as soon as they arrive, the three realize that they know very little about the lives of the young women. Jila doesn't want to talk to Danyal because she believes he is responsible for the failure of several relationships, the unsuccessful actress Tilda is burdened by her father's excessive career expectations and Hanna confronts the complacent judge Markus about a secret marriage for legally questionable reasons. The three fathers' short trip develops a dynamic of its own that also pushes the daughters to their limits.
In 'Little Boxes," an interracial family moves to an all-white town where they face the judgement of others who have never been exposed to people of color before.
Cartoon Saloon is an animation studio that should be appreciated more. They tell unique stories with unique animation, proving that 2D animation is still alive and well.
If Miguel Alexandre were trying to make a revenge story seem dull without using all the effective formulas that work great in this catchy genre, he could not have accomplished his purpose much better than he unintentionally has in Black Island.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
A lonely little Hawaiian girl and her mischievous blue alien friend form a bond that heals both of their hearts, as well as ours. This live action version adds emotional nuances—notably in the sisters’ dynamic—while preserving the charm of the original.
For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.