
A washed up horror film director named Kôji Kuroishi and his assistant director named Miho Ichikawa visit a house deep in wooded mountains to film a movie. Once arrived, they meet a mentally deranged woman named Maria Miyoshi who proclaims she's a fan of Kuroishi's works. The woman pleads that she's experienced the same things as documented in Kuroishi's works. Unexplainable phenomena quickly begin to happen, so Kuroishi sets out to document these experiences and turn them into a film, together with the help of a 'super volunteer' named Shôhei Uno and a handsome psychic medium named Nanashi.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'
The film is a documentary focusing on heavy metal in the late 80s and tackles topics like drug addiction, alcoholism, sex, masculinity, and of course, rock and roll. However, this didn’t feel like any documentary I’ve ever seen before.
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.