Welcome, or No Trespassing (1964)

It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.

A socially conscious film that draws attention to the plight of American military veterans.

Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.

I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.

The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets

Crazy World gives fans of Wakaliwood movies what they want by playing up the comedy and action just like their movies before.