'Honor Roll Boys' (MiamisFF Review): A Bit of Harmless Fun
Initially feeling like a passionate group having a bit of harmless fun with filmmaking, it leads to something sinister enough to leave a mark.
'Weird Al' Yankovic: (There's No) Going Home (1996)
Parody of The Disney Channel's "Going Home" music series. Features "Weird Al" Yankovic in concert from Vancouver's Orpheum Theatre performing spoofs of many popular songs, Al travelling on the bus with his band and in their hotel room as well as tongue-in-cheek interviews with Al and his family.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Parody of The Disney Channel's "Going Home" music series. Features "Weird Al" Yankovic in concert from Vancouver's Orpheum Theatre performing spoofs of many popular songs, Al travelling on the bus with his band and in their hotel room as well as tongue-in-cheek interviews with Al and his family.
Rating:
Genre:Comedy, Documentary
Written By:Kevin Healey, 'Weird Al' Yankovic
In Theaters:12/16/1996
Box Office:
Runtime:56 minutes
Studio:
Articles You May Like
Travel Restrictions? No Problem. Travel Through Movies!
If you're missing the freedom of travel, explore the world via these international films that put their gorgeous settings in the spotlight.
Trans Allegories in Film: 'The Little Mermaid' (1989)
Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. 'The Little Mermaid" film can be interpreted as a transgender story.
Cheaper By the Dozen: a 2022 Family-Comedy Remake
A 2022 remake of the previous films of the same name, but with a more diverse cast, increasing representation and diversity.
Making Apes: How the Makeup in Planet of the Apes Changed Filmmaking Forever
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)
Just Mercy: An Admirable Picture
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.