
Yeong-hoon realizes that he is strangely drawn to Mi-ran, a married woman, who is one of his colleagues at work and adored by many men. Yeong-hoon keeps flirting with her constantly and he finally ends up having a passionate sex with Mi-ran. He becomes deeply drowned into her allure. One day, Yeong-hoon receives a shocking video message when he visits Mi-ran’s house. The video informs him that Mi-ran’s couple has been using Yeong-hoon as their sex partner. Mi-ran’s husband, Jeong-wook invites him to join their games. Yeong-hoon cannot decide between his loving emotion for Mi-ran and his desire. Yeong-hoon after all tells the husband to let her go, because he is in love with Mi-ran. Jeong-wook accepts his request under one condition, which is that Yeong-hoon should have sex with Mi-ran in front of Jeong-wook. Yeong-hoon accepts the suggestion and starts having sex with Mi-ran in front of Jeong-wook, but he stops in the middle.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.
That feeling in your gut which tells you that there’s something out there you should look for and make your own, is what the power represents
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
Can a homeless yet optimistic teenage girl learn to accept a helping hand?