'Kizazi Moto: Generation Fire' - Mhkuzi: The Spirit Racer
The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.

Patrick Staff’s newest work was inspired by artist-writer Catherine Lord’s memoir The Summer of Her Baldness (2004)—a moving and often irreverent account of the author’s experience of cancer. At the heart of Weed Killer is a monologue—adapted from Lord’s moving and often irreverent book—in which an actress reflects upon the chemically induced devastation of chemotherapy. This monologue is intertwined with comparatively otherworldly sequences, including choreographic gestures shot with high-definition thermal imaging. The film suggests a complex relationship to one’s own suffering and draws into focus the fine line between alternately poisonous and curative substances.
The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.
The definition of the word foul is “offensive to the senses,” which is a pretty good summation of the new Disney+ film, Artemis Fowl
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.
GOAT (2026) opens to the chanting of a crowd: "Roots run deep!" The rest of the film goes on to echo that sentiment, offering gorgeous animation and a heartfelt story along the way.