‘Jungle Cruise’ Is Fun but Has Questionable Representation
'Jungle Cruise' is fun if you can ignore the racism of the ride it’s based on and the film’s bland, stereotypical characters.

Twelve-year-old pragmatic Fidge is unexpectedly plunged into the absurd world of her sister Minnie’s favorite pop-up book — now ruled by the tyrannical Wed Wabbit, Minnie’s beloved toy. To make matters worse, Fidge is stuck with her pompous cousin Graham, who’s been pulled into the madness as well. To escape, Fidge must navigate this chaotic, bonkers world while staying two steps ahead of the comically capricious Wed Wabbit, who’s determined to keep her there.
'Jungle Cruise' is fun if you can ignore the racism of the ride it’s based on and the film’s bland, stereotypical characters.
The importance of trying new things and teamwork are two life lessons explored in this family-friendly sports film.
With so many Disney remakes out and about in the world and loosed upon Hollywood cinema, there is one Disney film that truly needs to be seen and witnessed on the big screen: Princess and the Frog.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.