A gangster is put in prison, but finds salvation through music while serving his time. Again on the outside, he finds success elusive and temptations abound.
Frank Lloyd
Director
Richard Barthelmess
Jerry Larrabee
Betty Compson
Alice Gray
William Holden
Prison Warden
Louis Natheaux
Spadoni
George E. Stone
Blackie
Ray Turner
Elevator Boy
Gladden James
Jerry's Manager
Ernie Adams
Ex-Con in Alley (uncredited)
Brooks Benedict
Jerry's Guest (uncredited)
Ruth Cherrington
Actress Backstage Who Locks Door (uncredited)
James Conaty
Attorney at Trial (uncredited)
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
It surely isn't for everybody and could certainly offend some folks, but Troll Hunter takes a different approach to representing religion in a film.
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
Make no mistake about it, Gilligan has created a continuation that earns its place in the annals of Breaking Bad lore. El Camino isn't a forced entry in an otherwise brilliant world of fiction. This is a satisfying take, which manages to give closure to an iconic character of fiction.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.