Wanda Maximoff: The Hero We Deserve, Not The Villain We Need
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.

This film is a documentary about Daniel, a young man from Lipiny - the poorest town in the southern Poland. Daniel wants out of the omnipresent misery. With a mobile phone camera in his hand he wanders round his neighbourhood asking kids and grownups questions about their dreams. Are they going to come true, at least, for some? Will Daniel ever manage to complete his film?
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
Lady Bird (Saoirse Ronan) tells her mother (Laurie Metcalf) that she wants to live through something — something that matters.
Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.