Why Wish and similar Disney films don't work
Disney movies have taken a bit of a downward turn recently. How come?

In this short film, poet and holocaust survivor John Guzlowski bears witness to his parents’ survival of Nazi slave labor camps. More than a personal remembrance, the poem carries his mother’s plea — “tell them we weren’t the only ones” — a call to acknowledge the countless lives scarred by war, displacement, and silence. Through Guzlowski’s measured reading, the film becomes both intimate and collective: a meditation on inherited trauma, the duty of memory, and the fragile line between history and forgetting.
Disney movies have taken a bit of a downward turn recently. How come?
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
Mai yells what every parent dreads hearing from their child: “tao ghét mày” (“I hate you”) and runs from the scene, where Hai discovers that Mai was telling the truth about the wallet.
Guillermo del Toro highlights a touch of innocence in the Gothic classic. The journey of Victor Frankenstein defying death gained inspiration from the Eastern energy system that is named ‘Qi’ and the lymphatic system being studied by Muslim scholars.
A young girl named Copi and her pet dog Xico travel into the mountain when they hear that something's not right.