“Hunter”: When Enthusiasm and AI Aren’t Enough for a Coherent Story
The Brazilian filmmaker Alexandre Alonso’s Hunter is a film with a lot of ideas, but with very little holding those ideas together.

As the notes of Amor Amor by Norie Paramor resonate across the opening images – water lit by twilight – names scroll across the screen, the names of people, living or dead, unknown or well-known, whose presence and voices populate this cosmic film.
The Brazilian filmmaker Alexandre Alonso’s Hunter is a film with a lot of ideas, but with very little holding those ideas together.
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I am an Armenian who has a mild form of epilepsy. I rarely see Armenian culture and epilepsy properly portrayed in film or TV. I delve into the how and why.
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