Baggage (2026): Surrealistic Visual Language and Confront the Past
Baggage’s experimental mixed formats visualized a woman’s brave inner journey of visiting the museum of her fragmented memories.

A self-aware "bad film student" attempts a masterclass in cinematic larceny, setting out to copy the style and technique of Martin Scorsese's Raging Bull, a film he hasn't even seen. Aided by an expert friend and severely limited resources, this humorous production journal documents the chaotic, under-budget struggle to translate the original's complex themes of toxic masculinity and deep isolation into a short film. A critical reflection on the impossible ambition of capturing genius under pressure.
Baggage’s experimental mixed formats visualized a woman’s brave inner journey of visiting the museum of her fragmented memories.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
A young boy who runs away from home discovers friendship when he befriends a young dragon in this animated movie.
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.