1828. After witnessing the brutal repression of revolutions in monarchist South, three young friends join Giuseppe Mazzini's patriotic cause, seeking to finally unify Italy under a republican government. Their idealism will clash with the inevitable disillusionment as they grow apart over the following decades.
Mario Martone
Director
Luigi Lo Cascio
Domenico Lopresti
Valerio Binasco
Angelo Cammarota
Francesca Inaudi
Cristina di Belgiojoso
Andrea Bosca
Angelo da giovane
Edoardo Natoli
Domenico da giovane
Luigi Pisani
Salvatore Tambasco
Guido Caprino
Felice Orsini
Renato Carpentieri
Carlo Poerio
Michele Riondino
Saverio Tambasco
Peppino Mazzotta
Don Carmine Lopresti
Franco Ravera
Antonio Gomez
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
Initially feeling like a passionate group having a bit of harmless fun with filmmaking, it leads to something sinister enough to leave a mark.
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.
Viola Davis is an EGOT pioneer and trailblazer advocating for diversity and opportunity in Hollywood. See the legendary actresses' rise to critical acclaim.