Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
We Are the Night poster

We Are the Night (2010)

One night, 18 year old Lena is bitten by Louise, leader of a female vampire trio that are as deadly as they are beautiful. Her newfound vampiric lifestyle is a blessing and a curse at the same time. At first, she enjoys the limitless freedom, the luxury, the parties. But soon the murderous blood lust of her comrades in arms proves too much for her, and she falls dangerously in love with Tom, a young undercover cop.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


One night, 18 year old Lena is bitten by Louise, leader of a female vampire trio that are as deadly as they are beautiful. Her newfound vampiric lifestyle is a blessing and a curse at the same time. At first, she enjoys the limitless freedom, the luxury, the parties. But soon the murderous blood lust of her comrades in arms proves too much for her, and she falls dangerously in love with Tom, a young undercover cop.

Rating:NR
Genre:Fantasy, Drama, Horror, Romance
Directed By:Dennis Gansel
Written By:Jan Berger, Dennis Gansel
In Theaters:11/11/2010
Box Office:$2,405,336
Runtime:100 minutes
Studio:Celluloid Dreams, Constantin Film, Rat Pack Filmproduktion

Articles You May Like


"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger