Knives Out: Sharpest Writing of 2019?
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes

The familiar tale of an immigrant family's journey to America is turned into a magical mystery tour as seen through the eyes of 11-year old Motl. The boy's imagination spins wildly as he and his family--loaded down with all their worldly goods and their other-worldly "baggage"--make their way from the shtetl to America. Inspired by the paintings of Marc Chagall, director Efim Gribov interprets the workings of Motl's imagination via comic and grotesque figures, ghosts from the past, and a dreamy, surreal atmosphere. The film's tragi-comic tone and theme involving the American Dream make for an inspired viewing experience.
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
Critical Incident is worthy of a weekend binge, keeping you guessing right up until the end.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
For those that are unaware, the trailer for the new Civil Rights movie Till has been out and it's absolutely amazing for all to see.