Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

As quintessentially homegrown as a game of cricket or a plate of fish-and-chips, Morris dancing is one of England's most ancient roots traditions. And yet to your average man on the street, it's seen as little more than a national joke. And a bad national joke at that. Something to ridicule. Something to be embarrassed about. A heartfelt docu-ballad in praise of birthplace, bloodline and rural brotherhood, WAY OF THE MORRIS follows Tim on a deeply personal journey from the barley fields of his childhood to the killing fields of The Somme, as he traces the poignant link between the spirited folk revival of the mid-1970s and the true story of the young Adderbury Morris side so decimated by the carnage of the First World War.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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