‘West Side Story’ (2021) Improves on and Is Limited by the Original
Steven Spielberg's West Side Story (2021) improves on the original's terrible representation, poorly written romance, and more. --> check out reviews & film summary

Shot on location in 2013, Teton Gravity Research’s Way of Life takes you on a journey to the mountains and inside the minds of today’s top athletes. With stunning imagery created with GSS, Red Cinema, and the Sony Action Cam, this film explores the origins of skiing in Austria, the search for original lines in Alaska, and the U.S. Free skiing Team’s quest for Olympic gold. The adventure also leads athletes to the rugged terrain of Jackson Hole and the Tetons, as well as the backcountry of British Columbia. Regardless of the terrain they ride, the skiers featured in Way of Life push the boundaries of what’s possible. This journey takes them across the globe as they form a brotherhood that needs no language.
Steven Spielberg's West Side Story (2021) improves on the original's terrible representation, poorly written romance, and more. --> check out reviews & film summary
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
Rather than following in the footsteps of poorly made horror flicks, “The Quiet Place” follows original concept.
Izzy and Prince Thomas learn that taking control of their own destiny requires following their hearts and making their own decisions.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.