
When the war broke out, two brothers—Askhat and Murat—left for the front. Only Askhat returned home. Murat, however, was taken prisoner; he ended up in Germany, where he was recruited into an intelligence school. After the war, he lived in the West. Thirty-five years later, Murat—now an agent for the anti-Soviet émigré community—returned to his native village as a tourist. His former fiancée, Bermet, had married Askhat, and the couple was now raising their grandchildren. Upon learning that Bermet had given birth to a daughter back during the war, Murat realized that both the daughter and the grandchildren were his. Yet, he made no claims to them; instead, he silently accepted the role of a mere observer—and in that capacity, he returned to Munich.
At first glance, “The Good Liar” is a respectable piece of fiction, starring Ian McKellen and Helen Mirren. But underneath everything, the film expertly hones the unpredictability of deceit.
I highly recommend Dark Waters. It’s a highly engrossing picture, which lends itself to cautionary storytelling. The dark information continually grows, inspiring change and accountability altogether. Overall, Haynes’ picture will not be known for its inclusiveness--but it will be known for being a fantastic, engrossing film.
Hokum is an enjoyable horror film that will probably get a little under your skin, but it isn’t the tour de force that you might be expecting.
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.
Sisters Mia and Emma discover and hunt down a unicorn with magical blood and want to protect it.