“Waterlanders” is Simone van Dusseldorp’s 1994 graduation film from the Netherlands Film and Television Academy. It depicts two sisters coping with their parents’ death and constructing their own reality in an attempt to regain a sense of agency. While the sisters share an unbreakable bond, the older sister’s growing curiosity about the outside world strains their relationship as the younger sister resists these newfound changes.
Americans love the British monarchy. This may seem confusing because only a few short hundred years ago they were our worst enemies, and every year we celebrate our independence from them. The Crown humanizes the monarchy, which might explain its popularity.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
Stranger Things season 4 ups the ante to the max! The show’s scope has been expanding for the past three seasons, and boy do they give us a spectacle to behold. As much as I love spectacle, this season occasionally buckles under the weight of its own ambition.
Cursed is based on Frank Miller’s graphic novel, and is a retelling of the Arthurian legend with a twist. Instead of King Arthur gaining Excalibur, a teenage sorceress named Nimue (Katherine Langford) does. Her people — the Fey — are being hunted down, and so Nimue will do whatever it takes to save them.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
