‘Kathak: Dancing With Taboos’ Film Festival Review: A Story of Passion and Perseverance
Eloquent and informative, Hajera Sheikh’s documentary Kathak: Dancing With Taboos tells a story of love for one’s culture and perseverance through adversity.

In "Water Over Glass," the tension of a mind adrift and in conflict with itself is captured and bookended visually by the vast mutability of sea and sky, where water and air surfaces suggest both static and the dissolution of the individual. A doppelganger, a crime scene and the tidal erasure of what might have taken place: discomfiting moments in a bright, almost psychedelic, arc. Assembled from 16mm, Super 8, and digital video, stop motion collage and digital compositing animation, "Water Over Glass" works backwards from an original story by Jason Zumpano and its musical articulation—Vancouver outfit The Cyrillic Typewriter’s 2018 album of the same name—to suspend a visual form over a sonic narrative.
Eloquent and informative, Hajera Sheikh’s documentary Kathak: Dancing With Taboos tells a story of love for one’s culture and perseverance through adversity.
Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.
The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.